Nike Grid by AKQA, W+K London and Mindshare
Nike turned London streets into a running game. Participants had 24 hours to run between phone boxes positioned in 40 postcodes across London. More on the award winning Nike Grid campaign.IAB BLOG: Disappear where?
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Stuart Aitken, Content Manager at the IAB, wonders if now that James Brown has managed to say goodbye to lads, is it not time for him to say goodbye to mags?
Thursday, 4 December 2008
There are so many reasons to question ex-Loaded editor James Brown’s decision to hook up with Peaches Geldof to launch yet another free fashion/culture/lifestyle/art/photography/design magazine - Disappear Here - on an unsuspecting world.
There were of course raised eyebrows at the godfather of lads’ mags’ decision to co-edit a magazine with someone so universally mocked outside the cosy world of celebrity as Peaches Geldof – some of you may remember the astonishingly vitriolic response to her first column (exclamation marks optional) in fashion/culture/lifestyle/art/photography/design magazine Nylon - with many furious respondents threatening an all out boycott of the magazine as a result. Not an auspicious start.
The decision also raises some very serious questions about the nature of modern celebrity. Now that we are we being forced to believe that a celebrity should be able to do everything from cooking the perfect coq au vin to dancing the American Smooth (whatever that is), must we also assume that just because you’re famous you can also edit a magazine?
Beyond these considerations however, we have to wonder why James Brown is persevering with a medium that is less than easy to make pay. As Stephen Armstrong noted this week in The Guardian, in 2005, six similar fashion/culture/lifestyle/art/photography/design magazines were launched, including Good for Nothing, edited by former Sleaze Nation journalists, and Little White Lies, a movie magazine created by a group of graduates. Almost four years later, only Little White Lies is still going.
Given this to be the case, and given the current even more challenging market conditions, would it not have been more sensible to launch an online only fashion/culture/lifestyle/art/photography/design title?
As someone who spends rather too much of his spare time writing for some of the few remaining worthwhile independent music/culture magazines (including Plan B, Flux and New York’s Wax Poetics), I am very well aware of the pressures facing anyone who doesn’t want to hitch a ride with the likes of Emap and IPC. It’s very rare for a magazine to survive these days – even one that contains Peaches Geldof’s ode to Reese's Peanut Butter Sticks: "xxxx health. xxxx teeth. xxxx vegetables. Eat Reeses Peanut Butter Sticks," she apparently writes in Disappear Here’s first issue. Inspired.
James Brown has done well over the years to rid himself of the lads tag. But is it not time that he said goodbye to mags as well?
Thursday, 4 December 2008
There are so many reasons to question ex-Loaded editor James Brown’s decision to hook up with Peaches Geldof to launch yet another free fashion/culture/lifestyle/art/photography/design magazine - Disappear Here - on an unsuspecting world.
There were of course raised eyebrows at the godfather of lads’ mags’ decision to co-edit a magazine with someone so universally mocked outside the cosy world of celebrity as Peaches Geldof – some of you may remember the astonishingly vitriolic response to her first column (exclamation marks optional) in fashion/culture/lifestyle/art/photography/design magazine Nylon - with many furious respondents threatening an all out boycott of the magazine as a result. Not an auspicious start.
The decision also raises some very serious questions about the nature of modern celebrity. Now that we are we being forced to believe that a celebrity should be able to do everything from cooking the perfect coq au vin to dancing the American Smooth (whatever that is), must we also assume that just because you’re famous you can also edit a magazine?
Beyond these considerations however, we have to wonder why James Brown is persevering with a medium that is less than easy to make pay. As Stephen Armstrong noted this week in The Guardian, in 2005, six similar fashion/culture/lifestyle/art/photography/design magazines were launched, including Good for Nothing, edited by former Sleaze Nation journalists, and Little White Lies, a movie magazine created by a group of graduates. Almost four years later, only Little White Lies is still going.
Given this to be the case, and given the current even more challenging market conditions, would it not have been more sensible to launch an online only fashion/culture/lifestyle/art/photography/design title?
As someone who spends rather too much of his spare time writing for some of the few remaining worthwhile independent music/culture magazines (including Plan B, Flux and New York’s Wax Poetics), I am very well aware of the pressures facing anyone who doesn’t want to hitch a ride with the likes of Emap and IPC. It’s very rare for a magazine to survive these days – even one that contains Peaches Geldof’s ode to Reese's Peanut Butter Sticks: "xxxx health. xxxx teeth. xxxx vegetables. Eat Reeses Peanut Butter Sticks," she apparently writes in Disappear Here’s first issue. Inspired.
James Brown has done well over the years to rid himself of the lads tag. But is it not time that he said goodbye to mags as well?
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